Showing posts with label Oscar Wilde. Show all posts
Showing posts with label Oscar Wilde. Show all posts

Friday, May 24, 2013

The Nightingale and the Rose

There's a very interesting article on Katherine Langrish's excellent Steel Thistles blog about 'The Nightingale and the Rose' by Oscar Wilde.
Mary Hoffman writes about her fondness for Wilde's poignant tale of love and sacrifice and Katherine has illustrated the piece with my illustration from "Oscar Wilde: Stories for Children".

Also on Steel Thistles, the Fairytale Reflections by a really interesting series of guest authors are well worth poring through.

Friday, December 16, 2011

Oscar Wilde: Stories for Children



It's nice to see "Oscar Wilde; Stories for Children" doing so well in the Irish Bestsellers.
Not bad for a book I illustrated twenty years ago.

Wednesday, December 15, 2010

From "The Young King" by Oscar Wilde

The recent post I did on Oscar Wilde reminded me of one of my own favourite spreads from that book, in which these two pictures flank the text.
It's a powerful piece of writing by Wilde, with wonderful imagery for the illustrator to explore.


"On and on he went, till he reached the outskirts of the wood, and there he saw an immense multitude of men toiling in the bed of a dried-up river. They swarmed up the crag like ants. They dug deep pits in the ground and went down into them. Some of them cleft the rocks with great axes; others grabbled in the sand. They tore up the cactus by its roots, and trampled on the scarlet blossoms. They hurried about, calling to each other, and no man was idle.

From the darkness of a cavern Death and Avarice watched them, and Death said, 'I am weary; give me a third of them and let me go.'
But Avarice shook her head. 'They are my servants,' she answered.
And Death said to her, 'What hast thou in thy hand?'
I have three grains of corn,' she answered; 'what is that to thee?'
'Give me one of them,' cried Death, 'to plant in my garden; only one of them, and I will go away.'
'I will not give thee anything,' said Avarice, and she hid her hand in the fold of her raiment.
And Death laughed, and took a cup, and dipped it into a pool of water, and out of the cup rose Ague. She passed through the great multitude, and a third of them lay dead. A cold mist followed her, and the water-snakes ran by her side.

And when Avarice saw that a third of the multitude was dead she beat her breast and wept. She beat her barren bosom and cried aloud. 'Thou hast slain a third of my servants,' she cried, 'get thee gone. There is war in the mountains of Tartary, and the kings of each side are calling to thee. The Afghans have slain the black ox, and are marching to battle. They have beaten upon their shields with their spears, and have put on their helmets of iron. What is my valley to thee, that thou should'st tarry in it? Get thee gone, and come here no more.

'Nay,' answered Death, 'but till thou hast given me a grain of corn I will not go.'
But Avarice shut her hand, and clenched her teeth. 'I will not give thee anything,' she muttered.
And Death laughed, and took up a black stone, and threw it into the forest, and out of a thicket of wild hemlock came Fever in a robe of flame. She passed through the multitude, and touched them, and each man that she touched died. The grass withered beneath her feet as she walked.

And Avarice shuddered, and put ashes on her head. 'Thou art cruel,' she cried; 'thou art cruel. There is famine in the walled cities of India, and the cisterns of Samarcand have run dry. There is famine in the walled cities of Egypt, and the locusts have come up from the desert. The Nile has not overflowed its banks, and the priests have cursed Isis and Osiris. Get thee gone to those who need thee, and leave me my servants.'
'Nay,' answered Death, 'but till thou hast given me a grain of corn I will not go.'
'I will not give thee anything,' said Avarice.

And Death laughed again, and he whistled through his fingers, and a woman came flying through the air. Plague was written upon her forehead, and a crowd of lean vultures wheeled round her. She covered the valley with her wings, and no man was left alive."

Monday, December 6, 2010

Brrrrrr!

Speaking of my studio, here's how it is looking right now.


We've had about ten days of freezing temperatures and the deepest snow I can ever remember in Ireland.
It will pass in a week or so, but the poor Selfish Giant had winter in his garden for years.
Below is my illustration to "The Selfish Giant" from "Oscar Wilde; Stories for Children".
I've been thinking about Oscar a good deal this week as it is one hundred and ten years since he died, and BBC Radio 7 has been broadcasting his letters and short stories. You can get them for about a week at this link.


"The Snow covered up the grass with her great white cloak, and the Frost painted all the trees silver. Then they invited the North Wind to stay with them, and he came. He was wrapped in furs, and he roared all day about the garden, and blew the chimney-pots down. “This is a delightful spot,” he said, “we must ask the Hail on a visit.” So the Hail came. Every day for three hours he rattled on the roof of the castle till he broke most of the slates, and then he ran round and round the garden as fast as he could go. He was dressed in grey, and his breath was like ice."

Monday, June 28, 2010

The Remarkable Rocket


If, like me, you find yourself despairing of the terrestrial radio available where you live, then you should investigate the BBC iPlayer. If you live in Britain you can even watch TV programmes on there.
I find myself listening to Radio 4 plays and factual programmes a lot. The Radio 7 section is brilliant for BBC productions from the past. Right now they are doing some of Oscar Wilde's Fairy stories such as the Remarkable Rocket.
Above is one of my illustrations for that story from "Oscar Wilde: Stories for Children".

Friday, May 7, 2010

Two New Stamps: The Happy Prince and Gulliver’s Travels


An Post, the Irish Postal Service recently asked me to design a pair of stamps based on some of my best known work for the Europa series, whose theme this year is classic Children’s Books.
I revisited and reworked illustrations I had done for "The Happy Prince" by Oscar Wilde and "Gulliver’s Travels" by Jonathan Swift.
The stamps and first day cover have just been published and I'm really pleased with them.
I look forward to travelling to Cavan someday to stick the 2 inch Gulliver stamp on the wall beside the 8 foot tall original painting.

Thursday, February 18, 2010

The Great Oscar Wilde Rip-Off


My cover for "Oscar Wilde: Stories for Children" was another of my paintings that shows the influence of Edmund Dulac.
So maybe I should have been more understanding when I saw this book cover.
Someone named Owen Cook was credited as the cover artist on this Wordsworth Classics edition of Wilde's fairy tales.
He has taken my inside illustration of the Happy Prince and combined it with the cover image .


The only element which I am happy to ascribe to Owen is his daring use of colour.
When I discovered this I got pretty mad about it, but now I can see the funny side.
The publisher was quite good about owning up and paying compensation. They said that Owen was a student who briefly passed through their design studio.
I've since been told that this is a fairly standard excuse when unethical publishers get caught out ripping people off.
So be warned!

Tuesday, February 2, 2010

Inspired by Dulac


For anyone who might have read EllenB's comment about my last post, I wanted to show the images she was referring to.
I first hurriedly checked to see that I hadn't ripped-off Dulac too closely. As you can see, I was indeed inspired by the very Dulac picture that had also inspired Ellen.
My picture, which comes from "Oscar Wilde: Stories for Children" is on the left.
My normal working practice in creating a picture like this involves surrounding my desk with all sorts of reference photos and illustrations that might be helpful.
Sometimes I use the reference in a very particular way, as with the saucepan and broom, but more often I'm hoping that looking at really great work will obliquely inspire me to achieve better things.
I love the large, delicately washed areas in Dulac and Rackham's work, and this is one of a very few pictures I have done where I have achieved a similar effect. When I have an expanse of wall behind a figure I usually can't resist the urge to put in a shadow or a picture.
The design of the window in my picture jars with me a little. It looks like it came from the 1970s, even though it was borrowed from a cottage in a Breugel painting.
I was particularly pleased with this picture because the figure and the still life on the table were entirely invented without any photo reference.
Dulac's image of Cinderella is exquisite of course, but, because of the way he has drawn that log coming out from under her skirt, it always looks to me as if Cinderella is a sort of devil girl with a cloven hoof. I hope I haven't ruined it for you now.

Thursday, August 20, 2009

"The Nightingale and the Rose"


Here's another multiplane picture from college days.
It illustrates the climactic scene from Oscar Wilde's fairy tale, "The Nightingale and the Rose", and below is the illustration I did for the same scene in "Oscar Wilde: Stories for Children" which I illustrated about five years after leaving college.
It is interesting to compare the two pieces. I think it was a good move for me to ditch the experimental medium. Funnily enough though, I am looking into doing a 3d illustration with an Irish company that has developed amazing 3d print technology.

Again, I have to say that, much as I love Oscar Wilde, the subject of a little bird sacrificing itself on a rose thorn is something I would think twice about presenting to my own kids.