Tuesday, February 24, 2015

Sebastian Walker on Radio 4's "Great Lives"


When I am well into a piece of work I find that listening to an audiobook or talk radio is ideal for me, and the BBC iplayer is an extraordinary resource to explore. I recommend it to any one.

I was going through the archive of  Radio 4's "Great Lives" when I was very pleasantly surprised to see that my late publisher, Sebastian Walker, was Lynn Barber's choice of a great life.

Sebastian died a good many years ago, but it is true to say that he revolutionised the publishing of Children's books. It's telling that both of the programme's contributors, Lynn Barber and Sebastian's sister Mirabel Cecil, both point up the great importance he placed on the work of his illustrators.
I consider myself hugely fortunate that I was one of those illustrators.


Wednesday, February 11, 2015

The Gord & Jay Talk Art Podcast

It's great to get really positive feedback from my workshop attendees, and here, Jay, who attended my last workshop, talks in his podcast about some very concrete benefits that he felt he gained from my class. The relevant piece begins at 42 minutes into the podcast entitled "Discipline", but the whole thing is really interesting. Many thanks Jay.
https://itunes.apple.com/…/the-gord-jay-talk-a…/id929963389…
I'm looking forward to a workshop at Kennedy Art on Saturday.

 Here's my demo of Des from a few weeks back.

Friday, January 23, 2015

A Death-Defying Love: Versions of the Orpheus Myth



Tim Myers has written a very thoughtful piece on versions of the Orpheus myth for the Los Angeles Review of Books. I am thrilled that  he has particularly singled out my image which was designed for the poster  promoting Opera Ireland's production of Orpheo Ed Eurydice at the Gaiety in Dublin.

You can read Tim's piece here, but in the meantime, here's an excerpt.
"Many visual artists, of course, have taken up the story too. Nineteenth-century French artists have been, to me, especially successful. Among superb renderings by Charles Jalabert, Francois Lafon, and Pascal Dagnan-Bouveret, I find those of Francois-Louis Francais, Jean-Baptiste-Camille Corot, and Edmund Dulac to be especially moving. (There’s also a surprisingly forceful black-and-white contemporary version by a concept artist and illustrator called STALEH4ND.)
But in one contemporary image, a 2004 poster (see illustration above) done by Irish illustrator P. J. Lynch for Gluck’s opera, I found a deeper way to understand the story.
Lynch exemplifies how some interpretations, working with rather than against the story, can be revelatory. For he, like 18th-century Danish painter Kratzenstein-Stub and 17th-century Italian painter Varotari before him, gives curvilinear movement to the moment of the turn. Eurydice, veiled in voluminous shroud-like white, reaches half-skeletal hands toward Orpheus; we can almost hear her anguished howl. Inches away, Orpheus simultaneously reaches for her even as his eyes seem to register the futility of it all — for without her he’s as much a dead soul as she is, even in the living world.
And yet they see nothing in the universe except each other. And the sinuous lines of their bodies, their clothes, even of the cavern-mouth itself, wordlessly sing of a oneness of life and death beneath their present helplessness. That power, of course, is love, greater even than the astonishing power of music that gave Orpheus entry into Death’s kingdom to begin with. This is sacred mystery at its highest level, and Lynch’s understated impulse jibes perfectly with what we all feel beneath our vicarious heartbreak in that moment."

Tuesday, January 20, 2015

Checking The Proofs of New Book


It's so good to finally have the proofs of my new book on the Mayflower and the Pilgrims.
It's starting to look like a real book!

Tuesday, January 6, 2015

Wishing You All A Very Happy And Prosperous 2015

And a very Happy New Year to you all.
This is a drawing i did quite a while ago as you might see, back when I was using pen and ink and when I was much influenced by great American illustrators like Rockwell and Leyendecker.

Tuesday, December 23, 2014

From A Christmas Carol

A few images from my version of A Christmas Carol, by Charles Dickens.  I keep coming back to this story. In my opinion it is unequalled as a Christmas tale.
And so, as Tiny Tim observed, God bless Us, Every One!